HBO’s The Wire is really an excellent show; illustrating institutional dysfunction on all levels.
I got my hands on the fourth season and it’s just amazing, especially the ending episodes. It’s given the long-standing minor characters with some well-deserved character development and doled out a fair amount of karma for everyone else still alive.
If you’ve ever seen Homicide: Life on the Streets, this is it without the urgency and the OZ-style camera shots. The Wire is more philosophical.
In fact, Homicide was written by David Simon, who also brings us The Wire. David Simon was a crime reporter for the Baltimore Sun. He and Ed Burns, a former Baltimore police detective and Baltimore city public school teacher, come share their frustration at the bureaucracy through this series very well. They lead you through the many components of a city; the law (police), the ports (working class), the street (drugs), the hall (city hall) and most recently, the schools. This probably is the biggest reason I really admire this series; how it connects everyone to the ills and the barred solutions.
It points out the ironies of our organized society, if not the unravelling of it all.
HBO is giving it one more season next year, and Simon (the producer) has pitched to HBO that the last season focus on the role of the media, which I think would sum it up nicely.
It’s really one of the best shows on television for its brute honesty of showing how our institutions of society work, or rather how they don’t work so well most of time.