Alex Reid

On Friday, I dropped $1500 and bought a new iMac which marks my third mac.

I’m already enjoying the huge screen, faster processor, speakers, and the crazy touch mouse; this will help tremendously in making videos and doing web work.

With the Winter Olympics about to hosted in Vancouver, I’m seeing more and more really great videos about Vancouver – heads up Tourism Vancouver!

Documentaries are good.

Especially those that focus on the local institutions of a community; that ’something’ that supports and fosters a subculture of the community. The Royal Albert Arms is definitely that ’something’ worthy of praise, and Randy Frykas captures it in his new doc Call to Arms: The Story of The Royal Albert.

“The Royal Albert is of a dying breed”, says Producer Jeff Newman.

“Most of the world’s legendary punk clubs have closed their doors, and with each one a piece of music history is extinguished. It’s time to talk about how important the place is, the careers it’s launched and the culture it preserves. At The Albert, people feel a sense of belonging and they’re utterly passionate about it. There’s a sense of ownership among the bands and the fans that comes across so clearly in ‘Call to Arms’.”

Check out this new doc at The Royal Albert this Thursday, October 8th – doors open at 8pm, screening is at 9pm, and tickets $5 at the door.

The issue of whether the police have the right to seize your camera is an increasing concern. Canadians were reminded of this last week when a camera belonging to a photographer for The Province was confiscated by Vancouver police.

Jason Payne said that police kept his camera for more than an hour before returning it.

“The gist of it is they were going to seize my camera as evidence in this situation, and that if I didn’t give it up I would be arrested and charged with obstructing justice,” Payne told CBC News.

Mack Pettigrew, a sergeant with the Ontario Provincial Police Department, runs a blog called “A Cop’s View”. In this recent post, he says that the police do not have the right to take your camera equipment or film.

In most cases if you ask someone for their help and request the camera or memory card they will hand it over but it does have to be returned. If the person refuses and does not give their name and starts taking off down the street then it is thought that this is evidence and can be legally taken before a judge with the explanation that there was no time to get a search warrant.

The rationale is simply if the police officers know who you are and where to find you, they can get the necessary paperwork (and approval) from the courts to seize the film (or data). Vancouver police spokeswoman Jana McGuinness echoed this viewpoint, that they do not make it a practice of taking reporters’ cameras because they know where to find them later.

The B.C. Civil Liberties Association’s executive director David Eby said his group will file a complaint against the department following the incident in Vancouver.

“In our opinion, there are only three circumstances where police can seize a camera: One is if a person consents to the seizure; one is if they have an order from a judge; and one is if they are taking the camera in a search incidental to an arrest — if they are arresting someone with a camera, and they are taking that camera from a person during the arrest process.”

Pettigrew agrees, and puts it quite reasonably and I encourage you to check out his blog.

Officers must be sure of their powers, you can not just go and take a camera from someone because they are going to put the video on youtube or sell it to the media.

I was listening to the so called experts on the radio show and found it interesting how they talked about how officers are uncomfortable with the knowledge that their actions are being video taped or pictures taken of them. I for one have no problem with this as it works both ways. We use video tape evidence all the time and as long as you doing your job professionally out on the streets then officers have nothing to fear.

Unfortunately we are human and have lapses in judgement at times and these seem to get caught on video and plastered all over the internet and media. One bad action can paint a bad picture for all of us. So be aware be professional and as a police officer know your powers when it comes to photos and video.

Both sides need to understand their respective powers. There are people – in all professions, on all sides – who go about dealing with situations like this in a very heavy handed way which only creates a greater division in the relationship of co-operation and trust.

I have many friends who work in media and unfortunately because enough police officers have tried to deal with them in a heavy handed way, often with a vague explanation that “it’s against the law” (it isn’t) that many of these people in the media don’t trust the police and that bias is obvious in their reporting, which in turn affects the image of the police to the public at large.

It’s not just a worrisome trend, it’s a cycle that can be prevented if photographers respect a crime scene just as police officers know the limitations of their duty.

Co-operation is a two way street.